TyposGalore

Bo got his three-year license

2007-02-02T22:32:00.000-08:00

By Paul WeeksVintage ColumnistPublished Tuesday, January 4, 2005

"I want to renew Bo's license," I told the dog-license clerk. "I want the three-year license."
The dog wasn't with me. The young and pretty clerk looked at my vintage features and asked: "How old is Bo?"
"He's going on 14 by Thanksgiving Day," I answered.
"You'd better get a one-year license," she said, pulling out the form.
"No, three years," I said.
"Mister, he's a pretty old dog. He might not ..."
"Madam, I'm going on 84. I might not either, but I want a three-year license
for Bo."
She shrugged. She complied. Bo, the elegant half-yellow Lab and half-German shepherd that my wife and I chose in 1991, got the little metal plate added to three or four old plates that hung from his fading-red collar.
Now, look, I'm no sentimental type. (Not this early in my story, anyway.)The
eason Bo wore so many licenses at once was when he needs to go outside at, say, two hours before dawn, is that he always jangled the hanging plates in a merry "wake-up, Paul," suggestion.
Never barked to beg. Never whined. The jingle was all I needed. Later in the day, he would go to the door to the patio and knock on the glass sliding door with his nose, asif to say, "I want to go out." I didn't question his motive -- unless he asked too often and it got to be open-shut, open-shut, open-shut without stopping.
Then he would just go to the door and sit and look me in the eye. No matter where I was sitting. Gentle persuasion. That was the strongest trait of character that in him.
It worked the first time when we saw him in a fancy fenced-in cage, bigger than most prison cells.
The Helen Woodward Foundation is so well endowed that it actually provided Bo with two cells in which he alternated while the other was cleaned with a garden hose.
It didn't take in any stray dogs. Only those whose human family had to abandon it for some reason or other. The Foundation even obtained a history of the dog's past, his behavior, why he had to be given up.
Bo's teenage master, it turned out, got him as a puppy, took him home to join another little dog. The teen practiced drumming in the parlor. Bo hates noise, even the blasts of gunfire from CNN's nightly news on the TV.
Also, Bo began to grow rapidly. The little dog didn't. The little dog was favored, so Bo was turned out to find another home.
What Bo didn't know was that I had been a teenage drummer, too, but gave up practicing on the front porch 70 years ago. Eric Bjorum, who lived a block down the street, came running breathlessly. "Mama's having a baby and asked if you'd quit!"
If the baby acquired Bo's distaste for noise, I figure that wouldn't be such a bad one in this age of incessant noise -- TV, trucks, airplanes, barking dogs
No, Bo never barked except when the doorbell rang or coyotes ranged at the fence bordering our yard.
Bo liked to travel as much as we did. Driving in a New Mexico blizzard one night, a rash of collisions stalled traffic for hours.The long wait was getting to be too much. Bo, whose lineage goes back to the freezing winters of Labrador, got out and showed the stalled caravan how to answer nature's demand in the cold.
He got his picture taken with a pueblo Indian in full Santa Claus regalia waving from a gleaming red fire truck, and went on to visit dozens of young children in a big auditorium where Santa entertained.
Sentimental? Yes, I am. Bo collapsed trying to reach the door a few weeks ago. Dr. Milton Gee, a veterinarian whose ceaseless care had seen Bo through a long life, took X-rays, prescribed oxygen.
Bo never whined. Never showed pain.
The doctor's needle brought a humane ending.
And I shall keep the two years remaining of Bo's dog license attached to my keychain.

* Paul Weeks is a longtime reporter who lives in Oceanside. To reach him, e-mail rand9999@aol.com.

Requiem for a Musician -- My Brother, Keith

2007-01-27T10:29:00.000-08:00

Requiem for a Musician

"Put another nickel in/
In the Nickelodeon/
All I want is lovin’ you/
And music, music, music.”
The silver-haired ladies and the gentlemen at Pacific Place Retirement Home on Lake Boulevard in Oceanside could only hear the echoes of 89-year-old Keith Weeks’ music in the hallways today. He died Monday night, even as his kinfolk hummed melodies close to his ears to catch the fading glimpse of recognition in his eyes.
Born on the wind-swept prairies of North Dakota in 1917, Keith lived a full life of music -- composing, arranging, playing, directing and teaching music, gathering in those around him. And yet, in the end, only they could hear him play.
Like Beethoven, Keith lost his hearing, but not the touch of the ivories on his keyboard.
“Let’s play, ‘ Name that Tune,’” he would say. Whether it was “Rock of Ages” or, “Down in Havana there’s a funny looking boobah/ Who plays the rhumba on the Tuba Down in Cuba” – Keith knew them all. The “groupies” would scribble the name of a song on a notepad. He would play them, not hearing but an occasional note or a rhythm beat himself.
So beloved was he that a troupe of student musicians from California Polytechnic Institute, where he served as head of the music department many years, came all the way from Pomona to surprise him with a serenade at his retirement home recently. No, he didn’t hear but a straying refrain of it, but he was overcome by their coming to see him.
In his teens he had his own jazz orchestra, with the whispering Hawaiian refrains of “Song of the Islands” as their theme. Majoring in music at the University of New Mexico in Albuquerque, Keith played gigs with the Varsity Club band while studying the intricacies of the classics in the classroom.
After graduation, Keith taught briefly at an elementary school in Los Lunas, N.M., until the U.S. Army Air Corps sought him out at the beginning of World War 2 to direct the band at a nearby airbase.
From there he was summoned to West Point for more drill in military music. When he finished top in his class, he was given his choice of stations to head their band. He chose Palm Springs, where he was fortunate to have some of Hollywood’s best musicians with him. It also meant that he could be with his wife, Florence, and their two children, Donna and Linda.
After the war, Keith’s urge to have a family life led him to turn down an application from the military to direct the band at West Point. He accepted an offer from Cal Poly, then a tiny college in San Dimas to teach music to the young students.
On holiday occasions, he was sought by “big bands” of the jazz era to play gigs from the blaze of lights in Las Vegas to the stage at Disney Land. He kept his membership in the Musicians Union in Los Angeles for a lifetime.
After his wife died and in retirement, he took as his companion Margaret McGrath, former head of the library department at Cal Poly. The McGraths took him in as a member of their family and kept in touch with him after Margaret died six years ago.
He took his instruments, a grand piano and several electronic keyboards and his own library of music to Pacific Place where he ran from the treble clef to the bass clef over and over.
He was active until he broke a hip in a fall about two weeks ago. The injury led to rapid degeneration of his health.
Keith’s ashes will be placed next to the interments of his parents and his wife in Glendora, his daughters said, and a grand, musical celebration of his life – complete with his own recorded music and his voice will be scheduled in Oceanside later.

###

Belated thanks to an editor

2006-02-17T22:15:00.000-08:00

THE STOCKTON (ca) RECORD
Vintage Section

Paul Weeks
Published Tuesday, Dec 6, 2005

He was a great spokesman for freedom of the press. He not only spoke about it, but he also spent a career in newspapers practicing what he preached. It is always disheartening to withhold your appreciation for such a person until he has left us.

But J. Edward Murray, my managing editor when I worked at the old Los Angeles Mirror, said thanks but no thanks when I called him at his home in Boulder, Colo., a few months ago, asking him for an interview that I proposed to submit to Editor & Publisher, a highly respected monthly in our business.

Murray, 90, slipped quietly away Nov. 2, and his obituary has echoed through the nation's press. But I want my say about a couple of incidents of our crossing paths.

In the early 1960s, I was writing an exposé of Los Angeles' Skid Row, an assignment directly from Murray. One large property owner in the slums gave us some leads. But when we decided to interview him for publication, he suddenly refused.

So interested was he in our not writing about him that he sent his press agent up to the city room one day to seal our lips -- with cash. He offered $500 each to me and my partner covering the story.

No greater insult can be heaped on a reporter than that. I roared so loudly that the room probably shook. I ran into Murray's office immediately. He tried to quiet me down, grinning as he did it. The press agent had left.

He was back the next day. I watched. He walked into Murray's office. Moments later, Murray's usually quiet, steady voice had turned into a bellow.

He threw the man out physically. I think applause broke out in the city room. I'm sure I enjoyed a warm chuckle to myself.

Born in the little town of Buffalo, S.D., near the beautiful Black Hills, he knew the questionable reputation of a man named William H. Parker, also from South Dakota, who later became chief of police in Los Angeles.

Parker often offended minorities. The Mirror carried quotes from Parker that made him prickle, while other press seemed to give him more leeway.

He was the chief quoted as saying just a few hours after the Watts riot broke out in 1965, "We're on top. They're on the bottom." It took four days and a call-in of the National Guard before the ashes cooled and about 30 people had died.

"Paul, I want you to do an in-depth profile of Parker and the department," Murray told me. Parker was supposed to be a reformer. It was not long after I had been involved in an exposé of the previous leadership of the department, working for another L.A. newspaper, which had not endeared me to law enforcers.

Parker called the newspaper when my report started to run. That didn't soften Ed Murray. He backed me up all the way.

Murray also gave me the first assignment to write about the plight of the increasing Black population in Los Angeles, housing discrimination, lack of jobs and education opportunities.

He opened feature story opportunities for me to cover visiting delegations from the Soviet Union and to cover social issues that were seldom explored in L.A. newspapers.

And after I left newspapering to work for the RAND think tank in Santa Monica, Murray, who was president of the American Society of Newspaper Editors, published a piece from me that he requested, emphasizing the importance of newspapers covering scientific information -- and the researchers understanding the importance of press coverage.

You were important to all of us, Ed. Peace be with you.

Contact Paul Weeks at features@recordnet.com

The Watson brothers -- actors/ photogs

2006-02-17T22:07:00.000-08:00

The Stockton (CA) Record
Vintage Section

Paul Weeks
Published Tuesday, Jan 3, 2006

One evening in 1937, Shirley Temple was standing on the Union Station platform, where the Santa Fe Super Chief was westbound from Albuquerque. The crowd blocked my way to getting near to her for a brief interview. As a 16-year-old cub reporter, I wasn't much older than the 9-year-old who had just achieved fame in "Heidi."

The other day - 68 years later - I learned that a friend, who used to chase breaking news with me for the old Los Angeles Mirror, had a featured role in the same movie. His name: Delmar Watson.

"Are you up to reminiscing a little?" I asked Delmar, now 79, who was in a hospital just a few days after back surgery. "I want to write my next column about the Watson brothers."

The six Watson brothers - Coy, Bobs, Billy, Delmar, Harry and Garry - appeared in more than 1,000 movies, starting in the days of silents up through the midcentury. Coy, the eldest, now in his 90s, earned the name "The Keystone Kid" when he played in Mack Sennett's "Keystone Cop" comedies from the time he was a 9 months old until he was 22.

Those of us in our vintage years fondly remember stars such as Temple, Mickey Rooney, Spencer Tracy, Jackie Coogan, Fred Astaire, Lionel Barrymore, Kath

Looking ahead at age 85

2006-02-17T21:55:00.000-08:00

Paul Weeks
Published Tuesday, Feb 7, 2006
THE STOCKTON (Ca) RECORD

When do people quit being shy about their age and start bragging about it?

In their vintage years, it seems to me. Particularly if they want to celebrate life rather than mourn the passing years.

I was surprised on my 85th birthday to find my spouse, Barbara, not only had invited family and neighbors to the party, but also colleagues from my early years in journalism. She even hired caterers who rented a tent and hired a mariachi band. I found myself dancing the Mexican Hat Dance despite an aching back.

One interesting way of looking at your birthday is to count your age now in comparison with the same number of years before you were born. I was born on a day a blizzard swept North Dakota. The doctor took a horse and sleigh 14 miles through the storm to our house.

(I've never forgiven my mother for telling me that I instructed the stork to land at our house. It was no weather for a stork to be flying. I thought the truth was far more interesting than the fable.)

Suppose I had lived my life backward in time.

Eighty-five years before I was born would have been the winter of 1835. George Washington had died only 36 years before. James Madison, the fourth president, was still alive - but not for long. Abraham Lincoln was assas

Clark Gable, Doris Day. . .and me!

2006-02-17T21:42:00.000-08:00

The caller said she and her husband were writing a movie script, “Teacher’s Pet,” about a New York City newspaper city editor and a college journalism teacher – Clark Gable and Doris Day. Would I like to help?

Things like that fall out of the sky when you’re a newspaper reporter struggling to make a living for a wife and two children. It was 1957.

Fay Kanin and her husband, Michael, legends as writers for the screen and stage in Hollywood and on New York’s Broadway, had read a series I had just written in the old Los Angeles Mirror. It was about African-Americans in our city: their problems getting housing, education, employment and justice in L.A.

The working script arrived at my desk shortly – one of the memoirs I have socked away in my files to this day. It was an effort to get away from the traditional way newspaper reporters had been depicted on the screen. I liked that.

The facts ought to be up front. But in the then-required way of reporting the who, what, why, where, when and how in a story, the why is often terribly neglected.

“What can you tell us about that?” the Kanins wanted to know. “See how we could weave it into the script.”

I had a field day describing how a city room ought to look, how the reporters shout, “Copy boy!” when they are up against deadline and summon the copy boy – or girl – to deliver a “take” of their story a piece at a time to go to the city desk for quick editing and then on to the composing room to be set in type.

But then we got to the meat of the plot: Clark Gable was depicted as sort of a hit-and-run guy, getting shallow coverage of a crime, while he had a copy boy played by Nick Adams, whose mother wanted Clark to fire him so she could get him a broad education first.

Gable frowned on that, but then got assigned by his publisher to go to a class in journalism, taught by Day, playing the role of the daughter of a country newspaper editor, who won a Pulitzer Prize for an editorial he had written.

Eventually Gable sees the light, falls in love with Doris. (I didn’t even try to dabble with that part of the plot.)

The Kanins won a nomination for the Oscar that year for the best original plot written for the screen. And Gig Young, who played the role of a noted psychology professor – and the boyfriend Doris eventually kissed off for Clark – won an Oscar for the best actor in a supporting role.

I kept in touch with the Kanins and once asked if they could help me get my talented son a role as an actor. And when I was working later for RAND, the think tank, they asked me if I could get their son a job there. Neither of us was successful.

When I decided to write this piece, I got out my old copy of the film where I was identified on American Movie Classics as a technical consultant, and compared it with the script.

I don’t know how much the Kanins or Gable and Day got from the highly successful film – but, by golly, the $500 I got didn’t compare with the fun I got from playing my role.

###

Her name was Leontine something. . .

2005-08-08T18:36:00.000-07:00

I wish I could remember her name -- Leontine something. She tried to gain admitance to a White Citizens Council rally in the heat of the racial turmoil of the early 1960s. They wouldn't let her in. She didn't get rejected because she was a woman. She didn't want to join the White Citizens. She was a black woman. The White Citizens had another name for black people -- male, female, all black people. We called it the "n" word.

She wanted to get into the Pasadena Civic Auditorium that night for the same reason I did. We were both newspaper reporters.

I had met Leontine from previous assignments we had covered. She worked for The Sentinel, a weekly aimed at Los Angeles' black population. It had grown rapidly after World War II. She knew me because I had the recently picked for the "civil rights" beat on the Los Angeles Times.

Only one man seemed to know that we needed such a beat. "Paul," Managing Editor Frank McCulloch said, "we've done a pretty good job covering Mississippi and Alabama. But what have we done about our own back yard?"

He put out the prize. I grabbed it. Neither the blacks nor the whites were ready for it. Blacks weren't covered unless they committed a crime against a white person. One guy on the sheriff's beat used to say about murder in Watts, "No story in this one -- just a misdemeanor." Chuckle.

Outside the meeting at the Auditorium that night, pickets from C.O.R.E., a new group of civil rights activists, marched and chanted and taunted the rednecks moving inside. TV cameras churned.Flashbulbs popped.

Without a nod to the doorkeeper I walked in. Took a seat on the front row. I couldn't believe the Council's invasion of Californiawould be productive.It might raise a ruckus outside worthy of a story.

Another reporter ran up the aisle to me. "Paul," he said, "a reporter from the Sentinel just tried to get in and they wouldn't let her past the door. She asked me to tell you."

OK. First, determine whether the report was accurate. I went outside and found Leontine. She told me she had gone to the door and was told she wasn't to go inside.

"They told me I didn't have an invitation."

I remembered that I had an invitation. It hadn't occurred to me to show it at the door. "I tell you what, Leontine.I'll go back in again and you come along right behind. We'll walk through."

She agreed. I walked through without a nod. She walked up. An arm dropped in front of her, blocking her way.

"I told you before," the gate keeper said, "YOU DON'T HAVE AN INVITATION."

"You just let Paul Weeks in . . . without an invitation."

"He HAS an invitation," the man said. He noticed I was watching.

"Do you intend to keep a reporter out because you didn't invite her? I didn't show you my invitation," I said.

"You have one," he said.

"I don't intend to use it," I said. "You let me in without it. If you won't let her in, it's going to be part of my story."

Stalemate. The gatekeeper called to a couple of other "members" to consult. Theydecided to let Leontine in -- with me, too.

All the rednecks turned around to gawk at us. I liked that. I walked her down the aisle, my eyes straight ahead, my hand on her elbow.There was a rustle in the crowd and some murmurs. Leontine looked away. I kept my cool.

The crowd was still coming in. I looked around and saw a familiar face or two. They probably were "white spies." There was another young white woman in the room that I didn't notice. But she told me about it later. I'll get back to her.

Themeeting not begun when I got another message. The gate was not permitting radio or television press in. They'd heard about my getting the Sentinel reporter a seat. They probably weren't wanted because the White Citizens boys wanted to spare the audience from seeing their pictures on the tube or in the press the next day.

I returned outside, prepared for Chapter Two. Whether we got to enlarge the press attendance, I don't remember. Because, when I re-entered, I found they were once more booting out Leontine.

"She doesn't have an invitation," they began again.

"Do I need an invitation? I'm not using it," I said. "I'm here as a reporter, not as your guest."

I wasn't abandoning the story as I left. We had another reporter, Dave Felton, sitting somewhere inside.

I didn't know what to expect, returning to the office, fully intending to report the incidents. Frank Osborne, on the night city desk, was so tickled he decided to tell editor Nick Williams the next day.

I got called into Nick's office, not exactly expecting to be nominated for a Pulitzer Prize. As I remember it, he was silent at first. He was a gentle man and a good editor. He didn't like what I had done.

"It's not your job to take part in a story you're covering."

I guess I was enjoying the stroll down that aisle with all of the rednecks gawking at us, but maybe I was just exercising a little bit of what they call "investigative reporting" nowadays -- which, incidentally, that should be redundant, although, sad to say, it is not always looked upon that way.

I had remembered an incident that had preceded that earlier:

A young man was crying that he, a returning Marine veteran from war, was being unfairly treated by an attempt to take his property by governmental eminent domain for a projected museum in Hollywood.The press was presenting his side of the story. But there was one more angle:

Another reporter and I dug up information that the Marine had been dishonorably discharged from the Marines, and we wrote a story about that, too.

Humiliated, the young ex-Marine called a press conference to respond. I wasn't assigned to cover, but another L.A. Times reporter and photog got the job. As it was told to us later, the veteran called out as the press assembled:

"Anyone here from the L.A. Times?" A couple of hands went up.

"You're not wanted here. Get out."

Nobody moved. The rest of the media let it be known that if the L.A. Times was excluded, they would all go out with them. Everybody stayed.

Yes, we may fight each other like hell for a story, we news people. We use all sorts of angles to get there first, to go to press before anyone else. But when it comes to Freedom of the Press, you have to watch out for us, because we watch out for each other.

Forty years after the incident at the Pasadena Auditorium, I had lunch with a friend who was a retired executive from The Times. He told me I had been lucky I escaped being fired on that occasion. When managing editors changed, the successsor took me off the beat, saying politely, that I'd been "working too hard."

Frustrated, I told them that Watts was "going to blow up one of these days and apparently I haven't been able to get that across in my coverage." No, I wasn't fired. I took another job in the War on Poverty with the government. And Watts blew up about six months after I'd been taken off the beat.

And by the way, the "white lady" I mentioned up there who had seen me walking down the aisle with the black reporter, was in the audience getting the lowdown for the Episcopalion Diocese for which she was working at the time?

She walked down the aisle with me in marriage 30 years later.

La belle francais!

2005-06-16T10:51:00.000-07:00

She's a tiny package of talents galore -- a femme petite -- if you will excuse my faulty French. She shouldn't. She's a teacher of French but speaks English perfectly but in a soft, throaty voice that belies its French origin.

The lady and I met -- yes, in the cybernetic presence of my own lovely bride -- on the Internet when it was new to me, almost a decade back.

She was a teenager, freed from the horrors of Nazi occupation as the allies swooped into the French capital. Among the heroes to the French was one of my own, newspaper columnist Ernie Pyle, who chronicled the tribulations of the GI Joes, not the generals and the admirals. So, 50 years later, I was combing the Internet for memoirs of those who shared my affection for Pyle and his work.

I had written of how I had just missed meeting Pyle at the rail depot in Albuquerque on a cold December day in 1944. I had driven my military jeep down to mail a package when I saw the train beginning to pull away. I was too late to shake his hand, but waved to him as the train left. He was on his way to the Pacific. He died on the battlefield on the isle of Ie Shima.

Newpaper friends had promised to invite me to the next party for Ernie, who had been home on leave. He'd been my role model long before he became a famous war correspondent, touring America's byways. He convinced me that I could write a story fit for publication on ANY human being I had talked with for an hour. He did it regularly.

So, yes, I met our French friend on the Internet, but not in person until a few months ago when spouse Barbara and I had the unique privilege of having a Parisienne show us her home town -- which has such marvels as the Louvre, the Eiffel Tower, Sacre Coure, Musee d'Orsay,Arc d'Triomphe, the Moulin Rouge ad infinitum. The City of Lights. I hadn't seen it in 50 years.

Why am I blogging away today about her? She's got a notion to be a blogger herself. So, of course, she consulted an expert -- me -- who not only has just got his feet wet in the blog biz, but has plunged in so awkwardly that my survival in it is not yet assured. I told her where to inquire about it, and left her with her feet dangling in the shallows.

No, I won't divulge here who she is. She will speak for herself with aplomb, with command of the language, with her views of just about everything from the banks of the Seine. Barbara and I are eagerly looking forward to it.

And, by the way, any of you old bloggers who have any tips for beginners, send 'em along. I'll pass them on -- but pore over them myself first!

Ah, how sweet it is . . .

2005-06-08T12:31:00.000-07:00

After all the turmoil, the hub-bub and the frustration in politics state, national and in the world, it is so nice to wake up in your own home town to find that the candidate who won the special election for the City Council overwhelmingly captured the seat she sought --cleanly, modestly and humble.

In years of focusing on the political scene since the days of FDR, it is especailly sweet to find that the lady who knocked on your door in her first campaign less than a year ago had swum through the mud of politics-as-usual and emerged far above the heap of 10 candidates -- unscathed.

My being a veteran of covering the bitter election wars as a newspaper reporter, you can't imagine the glow you feel when you finally have the opportunity to take sides actively, post a "WE WANT MACKIN" sign on your front lawn, and join the cheering throng on election night, shouting, "WE WANT MACKIN!"

Shari Mackin is real, not a figment of imagination. Oceanside, California, isn't exactly a litle town, with a seething population of 170,000.

What Hath the Wright Brothers Wrought?

2005-06-07T16:19:00.000-07:00

"Oh, how I like to go up in the air,
Up in the sky so blue,
I do think it's the most wonderful thing
Ever a child can do."

It is fun to look back on 80 years of leaving terra firma for adventues up in the skies, over the prairies, the mountains, the oceans. Even though many were for business, touring,for just "getting there,"it always gets a bookmark in my chronicles.

I probably flew in the first airplane I ever saw. Nineteeen twenty-four. I was three. The family was returning from a family gathering in Williston in northwestern North Dakota. We had entered an Indian reservation near a litle village named Parshall

The plane was coming down on the prairie when we spotted it. Our father, who never got over wanting to give new things the once-over, pulled over to where it had landed. It was a "barnstormer," flying an old World War I Jenny -- not so old at that, come to think of it, since the war had ended only six years earlier.

The pilot helped Mom, sister Lois and me climb into the forward (gunner's)seat, with one seat belt strapping us in --Mother in the middle.

He pointed to wires running from the cockpit to the wings and warned us to keep our hands off them or something bad might happen. Already I was scared and probably squeezed both arms in close. He should have told me to pull my hat down close over my ears. It was the first thing to go when we climbed into the sky.

Undboubtedly, most of what I "remember" is what I was told for years afterward, but no one can tell me I can't remember being lifted up in the air over anything a swing ever carried me up to.

Was the next ride in Admiral Byrd's Ford Tri-Motor that lifted me and some of my classmates up over the western mesa of Albuquerque in the early 1930s? He had flown it over the South Pole, so we felt it entirely safe to ride in it over the Rio Grande on a sunny morning.

Enraptured by now by flying -- and also becoming interested in girls -- I invited the lovely little Betty Jamison to go joy riding from the same west mesa airport in a little byplane flown by a local pilot. It was a disaster. I shouldn't have told Jim Toulouse about it. I thought he was a friend. He ratted on me and told my -- 'er, steady girl friend, Ruth Looney about it. Even though we parted 15 years ago after nearly a half century of marriage, I'm sure she will tell you about it today if you asked her.

Girls and airplanes go together. . .

Gilrs an airplanes seem to go together for me. At 16, I got a job as a reporter on the Albuquerque Journal. I learned that airlines frequently gave passes to newspaper reporters as a public relations gesture.

Wasn't I a reporter? Before I turned 17, I walked into the TWA office down at the new Hilton Hotel and said I wanted to fly to San Francisco at Christmas. Secret destination? A little cottage sacrosss the bay on Bond Street in Oakland -- the home of Muriel Cameron, who came into my life when we were juniors in high school.

She wass the one who showed up in history class in a yellow suede jacket. I had driven Dad's Chevrolet on a date for the first time when I took her to the Junior Prom. But she moved back to El Paso and then to Oakland, and I remember singing to her, "Just the Way You Look Tonight."

But I was writing about flying -- not philandering -- wasn't I? Yes, TWA, with a twinkle in the agent's eye, gave me the pass. It was a one-stop flight, landing in Winslow. I should have changed flights, but didn't. They stopped and put me on the right one. Man, what an elegant gentleman I was, walking into Muriel's, wearing a fedora and gloves.

We romped across the bay by ferry boat, eating pastries on the way, and I being shown an ocean -- the Pacific -- for the first time in this North Dakota-born lad's life. We saw a car with a press card in its window on San Francisco's Market Street. We rode across the new Golden Gate Bridge to visit a cousin, Harold Neideffer, in Marin County. Muriel's mother was in love with me -- at least, I guess, she thought I was 'cute." I was never so sure her daughter felt the same way.

See how easy it is to get side-tracked when you're "flyin' high"? On the return flight on New Year's Eve, we looked below at one point and saw a few tiny lights below. "Las Vegas," the pilot said. It was a tiny spot on the desert then.

Utah, 26; University of New Mexico, 0. . .

The next memorale flight? The University of New Mexico Lobos were scheduled to play Utah in the Sun Bowl at El Paso on New Year's Day,1939. Mr. Pickrell, my kind old editor, played it big: He chartered an airplane to fly me home from El Paso in time to make the next morning's deadline. The Lobos had been licked 26 to 0.

The only hitch was that I had to get to El Paso under my own power -- my 1932 Model A Ford roadster. Gail Smith rode along so he could drive the car home. The three or four-day sojourn provided another situation where I stepped out on (Miss) Ruth Looney:

I took another date that I met in El Paso to the bullfights across the border in Juarez. To be a gentleman, I got seats on the shady side of the arena, where we nearly froze to death. And what did we see across the arena, basking in ethe noonday sun? Miss Looney with her old boyfriend, Eddie Burgin.

The Model A was low on gas the next day when Gail drove me to the airport. He filled it up with aviation gas. That Model A took off like a jet airplane -- before jets had even been invented, as Gail said goodbye.

With the wartime draft blowing in my face, I returned to El Paso, this time as an enlistee in the Air Corps -- not at the controls, but in the backseat of the AT-11 bombardier trainer planes that flew the athletic teams to games across the county.

You see, Uncle Sam's call to arms was a call to me to sharpen my pencils inasmuch as I was assigned to the physical training office at Kirtland Field in Albuquerque -- as a sportswriter. Col. Frank Hackett wanted his base to have the best damn football team in the Corps, so he commission Coach Ted Shipkey from the Universiy of New Mexico as a captain and his "physicl training" officer --ergo, his football coach. Now every coach needs a p.r. man. Shipkey, having noted my skills as sports editor for the Albuquerque Joournal -- and noting my high call-up number for the draft at the same time -- urged me to come aboard.

Pilots geat weary flying bombing runs. . .

How did this creep into my story about airplane flights? Simple. I was in the Air Corps, wasn't I? And doesn't any sportswriter confined to the rear cabin of a bombardier trainer airplane entitled to some extra hazard pay? Those pilots, with a weekend off from flying dreary bombing runs over targets in the New Mexico desert, enjoyed nothing more than flying the teams to games. They would buzz chicken coops, hop cattle fences on the Texas plains, dive on lonely farm houses in Kansas.

Once, after flying to Wichita for a baseball tournament, the pilot of our plane executed a barrel role to break up the monotony of the flight. That night, at a banqquet given by the manufacturers of the AT-11, who happened to be in Wichita.
our pilot said to one of our hosts:

"What would happen if you did a barrel roll in one of those airplanes with a hundred pounds of baseball bats in the rear?" He didn't include the sports writer in his query.

"You couldn't do it," the AT-11 man said. "You'd break the tail right off the plane."

Another jaunt in an AT-11: A young warrant officer who piloted one of them, was a friend of my sister-in-law, Helen Parker. One of our planes was missing, and he was assigned to scout the flight path from Arizona to the home field. Antifcipating no summons home and not eager to cut the flight short, he turned off his radio. We flew all across the countryside. No sitings.

"I gotta pee, Paul,"he said. What kind of talk is that by an officer to a private first-class? "You ever find an airplane?"

"Nope -- er', sir."

"You see? You just take this control stick and keep the nose pointed to the horizon, and you'll do ok."

Omigod. Sure he must be kidding. He disappeared into the back of the plane. I clinched the stick with both hands. I clenched my teeth firmly. I kept my eyes on the horizon.

"Thanks, Paul," he returned, casually zipping up his fly.

The flight droned on. I noticed a little indian pueblo coming up.

"My brother and his wife teach school down there," I said.

"Shall we go down to see them?

Before I could utter a word, he pointed the nose of that AT-11 directly at the teacherage. We roared load. We quickly turned up the nose again. There was a hill on the other side, which I doubt if my pilot had taken into the equation before the dive.

No sooner had we emerged from the dive and leveled off, than the pilot turned on his radio again to approach for the landing. "Come on in," the tower said. "We couldn'g call you back. The missing plane was accounted for shortly after you left the field."

My stateside "combat" fluying didn't end there, although after a couple of years and the colonel's departure, I was transferred back to the pub info office, mostly to write combat returnee stories.

The pub info officer had a girl friend in Seattle. . .

The massive -- and awful ugly -- B-24 Liberator bombers were getting a bad press in contrast to the sleek flying Fortresses. The public information officer arranged to take a B-24 out for a weekend for me to write a feature story about what a wonderful plane it was. Destination: Seattle. I learned the p.r. officer had a girl friend there. I took an old GI photographer along.

He took gag shots of me holding my nose and posing with my hand on the ripcord of my parachute, ready to jump. Hardly the kind of publicity we were sent to get. We whiled away the dreary flight doing such foolish things. Seattle for us was about as dull. The p.r. officer obviously was having a better time. We went to see Spencer Tracy in, "The Bells of St. Mary's."

On the way home, our flying crew got just as playful. The pilot decided to give us an aerial tour of the Grand Canyon. He flew down into it. He tried to execute a 360-degree turn. He couldn't quite make it. He side-slipped the plane abruptly, droppihg lower into the canyon, then jammed on the throttle to cflimb out again.

When we got back to base, we learned that a B-24 like ours had smashed into a mountain peak near Flagstaff, and it was believed to have been ours. It wasn't of course. But there's more to the story. Our plane was pulled off the flightline the next morning for complete engine change. They had been virtually burned out because the oil was not circulating properly.

My career in the Air Corps flew on. One day, I tried to hook a free ride to the
Coast to visit my brother Ken, then working in a shipyard in Long Beach. I ran into my other brother, Keith, a warrant officer seeking a fligh in another direction.

suddenly, I needed a latrine. So did he. We couldn't go to the same one. He was an officer. I was a GI. Under the circumstances, I think I would have peed on him, had we found adjoining urinals.

The flight I got was with two officers flying a hot new B-26 from the East Coast for delievery to Lockheed in Burbank. Apparently, they weren't too familiaer with the controls of the new plane. First, they couldn't find Lockheed. We flew all over L.A., but Lockheed was so well camouflaged to ward off the Japanese, that we had a hard time finding it. When we did, the pilot came in too slow, started to lose airspeed, gunned it, settled down so fast that he had to spin the airplane around at the end of the runway to keep from running off it.

I had to carry a parachute that I was forced to take with me. I carried it on buses and trolleys all the way to Long Beach and back home again. I never want to see a parachute again. Unless it is necessary, that is.

Commercial flying after the war was glorious. Piped-in Music. My fondest memory is flying cross-country, looking at the countryside below, and listeing to the sonorous, "America, the Beautiful." THAT is my idea of patriotism. My beautiful country passing below in its majesty.

Once, the Daily News assigned a wonderful junket to me. I was to go to Oakland for the commissioning of a huge new airplane for the Navy, The four motored "Constitution."It was to take the largest passenger list across the nation -- 100 news people. It was powered by new " jet-assisted" takeoff power to point the nose up in the air with a heavy load.

Climing a rope to heaven. . .

We rolled down the runway at Moffett Field the next morning after a riotous night of celebration following the commissioning of the plane. It gained speed slowly. It kept rolling. We all kept straining to lift it off the runway, as if we could do it by sheer wrenching our own gutds. Suddenly, shockingly, it pointed it nose up as if it was climbing a rope to heaven. And we flew to Washington, D.C., in 5 1/2 hours -- the most passengers in the shortest time.

Two days later, we returned west. The plane wouldn't lift its nose. We knew it would. But we weren't sure. We faced terrific headwinds. We had to land somewhere in Kansas to refuel. It took 17 1/2 hours for the return flight. I never heard of the Constitution again.

There was another highlight of that trip, however. I was riding in the tail, and we were about to fly over my old hometown of Albuquerque. The loudspeaker blared forth. "Paul Weeks. . .Paul Weeks . . . report forward to the flight commander."

I hadn't done anything, but sit with my nose to the window, as usual, while flying, and watching us eat up the miles across New Mexico.

Entering the forward cabin, I was greeted by the commander himself, Capt. Donald S. Chay, UNM, class of 1940. He'd seen my name on the passenger manifest and wanted to share our return to our old campus, maybe 20,000 feet below.

After graduating, he and a classmate, Tal Godding, were to report to Long Beach, California, to be signed up for flight training for the U.S. Navy. I was headed that way for a summer vacation that was to take me eventually to Oakland to visit an old girlfriend.

With a few days before beginning training, they hitched a ride with me up the coast in my 1935 Chevrolet. One of them rode in the rumble seat and was crudely awakened when I spun the car in a 360-degree turn to avoid a stop-sign runner along the road.

When we got to San Francisco, I learned that neither had flown before. So we bought ourselves a ride in a small plane to see the city from on high. Little more than a year after that, they were in combat in the Pacific, dodging Japanese Zeroes in the early days of the fighting over Maylasia, as I recall.

Both Tal and Don went on to careers in the Navy. When I checked with my UNM alumni book just now, I noted that both were deceased.

Junketing -- that is, getting a pass from the airline or their sponsor or flying on your newspaper's expense account -- is certainly preferred, but those glory days are about over.

'How many reporters have you got in Alaska. . .?'

When the mighty earth quake hit Alaska in 1964, the L.A.night city editor had me ready to go, but the managing editor, whom I dislike to this day (may he rest wherever old, nasty managing editors lay) said whatthehell, AP (the wire service) will cover it for us.

Early the next morning, The Washington Post, which shared a wire service with us then, asked the M.E. how many reporters he had by then in Alaska. Within an hour, I had purchased boots, long flannel underrwear, wool socks, heavy jacket and was on a flight to Anchorage.

I rememberr the marquee of a theater having sunk down even with the curb. Some of us slipped down into it where the seats looked as if they were riding a roller coaster. An after-shock suddenly rocked our boat. We exited in haste.

Also, we dropped in on a bar, which also had sunk below street level. Drinks lay untouched on the bar -- and frozen solid, giving quick evidence of how much the bartender had watered his drinks.

The President sent his plane out with the Federal Emergency Management chief to view the damage and took a load of reporters up on one flight. We saw where a ship had been carried on the tsunami over the main street of a village and dropped it on the other side.

Several days later, I returned to Seattle on a military cargo plane. The door to the space near where I was sitting blew off on takeoff. It missed me. We continued our homeward flight.

Having never been to Alaska, I found myself up there three times in a row: a tour with the Coast Guard by plane that took us out to islands off the Aleutians and up and down the Coast. Later, with the War on Poverty, we inspected sites across Alaska as far at Point Barrow above the Arctic Circle. That will be a blog in itself one of these days when I get around to it.

The most interesting junket occurred in October 1954 -- just a couple of months before my newspaper, the original Daily News in L.A., bellied up. But I had a five-week tour on El Al Israel's charter flight for a plainload of Jewish people's return to their Holy Land. Oh, the stories I've retold many times from that trip.

I bought a rosary for my then Catholic mother-in-law from a Jewish merchant in the Vatican Square where the Pope came to the window to bless us all. I guess I'll save those fir another day too.

P.S. I got home in time to cash in my expense account before the management closed up shop.

"Music makes the world go 'round. . ."

2005-06-06T23:48:00.000-07:00

"FASCINATIN' RHYTHM...da, da, da..." The music is emanating from my computer even as I write this. . .(la, la, te, la, la). Some folks would clap their hands over their ears and scream for mercy.Others might wonder where I'm going to go beyond this paragraph.

The housekeeper, who visits every couple of weeks, is banging with her duster outside my office door.I keep waiting to hear if her duster picks up the beat. Maybe if I open the door I'll catch her swingin' away in the hallway, swirling her skirt and snapping her fingers.

I've always been a good union man, but I have a confession to make: When I heard that Napster was going out of business, I downloaded ceaselessly, day and night, bringing the music home to me: Over 2,000 numbers. It's probably not infringing on many copyrights anyway, because my music ranges from, "The Old Folks at Home," to "Gotterdamerung; from, "The Dipsy Doodle," to, "Rhapsody in Blue."

It started more than 80 years ago when I would lie on the back of the piano bench while Mamma chorded away and Dad played the fiddle or even the saw.Kenneth, Keith and Lois, all not much higher than the piano keyboard, would sing away. That was in Mott, N.D., where you've probably heard too much about before in these blogs.

And whiskered Grandpa, in his 80s, would chime in with songs a hundred years older -- and he just missed the Civl War draft, having been born in 1846. We learned to sing the scales with him, which is simply, "do-mi-so-mi, do-mi-so-mi, do-mi-so, DO - DO." There. You got it!

Music (or noise, as you might characterize it) soaked up the walls of the parlor through the 1920s. All of us took piano lessons from Aunt Winona Batty (cheaper wholesale and when the instructor is in the family).Then the instrument section branched out: Keith on the piano or trumpet or whatever he could pick up; Kenneth, first on the tuba and then on the sousaphone; Lois, on the French horn, aka mellophone, and I on the snare drum.

Anecdotally:

While the folks were away, I was practicing my drumming on Grandma Batty's screened front porch. Thrrrrrummm echoed across the prairies, I suppose. Mrs. Bjorum's son, Eric, came running up the street, puffing, to the porch door:

"Hey," (puff, puff) "Mamma wants you to stop!" Pause. "SHE'S HAVIN' A BABY!"

Thereafter, I practiced on a rubber pad, always available at the music catalogue house for such situations. Drumming wasn't the same after that.

The Mott High School Band got such a wide reputation that we were chosen to march and perform at the five-state Lions Club convention in Bismarck. I had only the orchestra version of a drum -- metal with deerskin heads, and totally imposssible as a marching drum. But I harnessed it up, and it bumped into my gut murderously for blocks up the Main Street in Bismarck. I could dream that Sousa or Fiedler was on the sidelines.

Gov. William Langer's little daughter sat nearby later at a concert. There was I in cardinal-and white uniform, with a red-billed cap and a swirling red and black cape -- our school colors. I was 11 or 12 and fell madly in love. At least, for a few minutes.

D. G. Stubbins was not only a fine band leader, but was also our high school principal. There was the day that Mr. Stubbins handed a brand new load of music sheets to Roy Groez, the bass drummer. Music came with two pieces to a sheet, which had to be split before it was handed out.

"Tear 'em up, Roy, please" Stubbins said.

Roy did -- into tiny pieces.

One night, Hettinger and Mott baskeball teams were battling it out in our new high school gymnasium. Probably most of the town (pop. 1,032 in the 1930 census) was seated on the cement bleachers on one side of the court. Across from them, the proscenium arched across the stage draped in cardinal velvet.

At the halftime, the battle slowed to a stop, and the riotous cheerers quieted down.
But in the silence, music was emanating from behind the velvet curtain. The piano notes rang out loud and clear.

The crowd sat mystified, curious. The music was easily recognizeable.You could have sung it: (OHHH, say can you see/By the dawn's early light..."

People didn't know what to do. Then some started putting their hands over their hearts.Some began singing. Some kids probably saluted.Principal Stubbins, if memory serves, rushed back behind the curtain and fished up Keith from the piano. I guess no one knew what was going on until after the story got out. Keith's patriotism didn't set well with Don Stubbins.

The Star-Spangled Banner was only given status as the National Anthem on May 3, 1931. The basketball season was long over by then.

They tell me Mom and Dad used to play for barn dances down at the Woodmen's Hall.
No baby-sitter for Mom. I understand she hung me up on a coat hook like a pappoose, and left me there for a few sets. (You suppose she nursed me in the clothes closet?)

Keith's high school dance band would rehearse in our parlor. I remember their theme song, "Song of the Islands." (I'm listening to it now on my computer. Mmmm. Hear it?) In college in New Mexico, it was the Varsity Club. They played for college dances and sometimes at Albuquerque's Casa de Man`ana.(I still can't get that tilde over the "n.")

Keith went into school-teaching until WW2. A recruiter walked into his classroom and said they could place him immediately into the military as a warrant officer at the nearby Sandia Army Air Base. They did. During the war, he was sent back to a training school where he finished at the top of the classe and could choose his own field.

He wanted to go back to Albuquerque, where he had a wife and child. Couldn't make it, so he got second choice: the band at Palm Spring, California. Musicians from Hollywood were helping him fight the enemy there. After the war and he was now head of the music department on the little campus of Cal Poly, San Dimas, the military got in touch with him and wanted him to apply for director of the band at West Point.

Keith -- like the rest of the family -- had a better ear for music than he had for ANYTHING the military had for him. He stayed with school teaching, directing Cal Poly's music department, now moved to Pomona.He still took gigs with big bands -- some at Las Vegas, one at Disneland, I recall

He's in a retirement home near us in Oceanside now -- still playing, although his hearing is so bad, he can only feel vibrations and an occasional note. His eyes, too, are fading -- but who needs sheet music when he can play without a blink anything from "Little Orphan Annie" to "Aloha -oi," (now on the computer, folks).

Kenneth is long gone from us, but Lois still plays an organ at home or when she visits us. We have to blow the dust off the strings before it will work.

Me? I drum with my fingers when I'm taking a quick break from the keyboard, click my heels and imitate a drum roll om my desk when they're playing, "March on the
River Kwai," or "Under the Double Eagle."

Semper Fidelis!